But it was only in 1951, with an adaptation of Georges Bernanos’s Journal d’un curé de campagne, that Bresson rebounded. Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. It covers only those critical works in cinema history, theory, and criticism that have self-consciously used the term “modernism” in their titles or abstracts. That's the first thing I want to get in my films.  Jean-Luc Godard once wrote, "He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music.". Among these, the most useful remains the Bresson Bibliography. Robert Bresson (b. —Robert Bresson. —-. Agnes Sire has been director of the Fondation Henri Cartier-Bresson for 15 years, having previously worked for Magnum for 20 years.Joining the Foundation in its earliest days, Sire worked on building the archive with esteemed photo editor and publisher Robert Delpire.Sire knows Henri Cartier-Bresson’s practice inside out, and here, she gives a pit-stop tour through … The critical discourse surrounding Robert Bresson has been some of the most contentious in film history, due, in large part, to a crucial impasse among scholars. Film as a Subversive Art Amos Vogel, Random House, 1974. Two types of film: those that employ the resources of theater (actors, direction, etc.) As some of you know, this has long… Bresson’s final film, L’Argent (1983), made when he was seventy-six, displays the confidence of a master ready to explore an even darker reality. Robert Bresson: A Guide to References and Resources. What is for the eye must not duplicate what is for the ear. Much of his work is known for being tragic in story and nature. , With his 'model' technique, Bresson's actors were required to repeat multiple takes of each scene until all semblances of 'performance' were stripped away, leaving a stark effect that registers as both subtle and raw. Directed by Robert Bresson. Anne Wiazemsky, Francois Lafarge, Nathalie Joyaut, Pierre Klossowski. Known for his ascetic approach, Bresson contributed notably to the art of cinema; his non... 1950s Posters Vintage Posters Illustration Photo Illustrations Perez Garcia Robert Bresson … ↑ Back to contributors’ list Chris Darke. “Bresson Bibliography.”. Apparently captured as a prisoner of war and released in 1941, Bresson was able to return to directing and completed his first two features, Les anges du péché (1943) and Les dames du bois de Boulogne (1945). , Bresson was sometimes accused of an "ivory tower existence". Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999)  was a French film director.Known for his ascetic approach, Bresson contributed notably to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. One can not be at the same time all eye and all ear. Mark Cousins writes: For him, cinematography is the higher function of cinema. Bresson was born at Bromont-Lamothe, Puy-de-Dôme, the son of Marie-Élisabeth (née Clausels) and Léon Bresson. Mark Cousins writes:. Sloan, Jane. The perfect moments and compositions Cartier-Bresson captures feel very fragile and incredibly precious. To this end he insisted on amateurs over trained actors, noises over music, slowness and close-ups over speed and pans. A tidy, Zen-like summation of the special aesthetic Bresson brought to film. 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